Joe Bonamassa and his 1959 Les Paul at Rumble Seat Music
Joe Bonamassa playing his 1959 Gibson Les Paul Standard through a Rickenbacker Transonic amplifier at Rumble Seat Music
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Joe Bonamassa playing his 1959 Gibson Les Paul Standard through a Rickenbacker Transonic amplifier at Rumble Seat Music
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Okko Diablo (& clean later in the Video) Pedal, MXR carbon Copy Analog Delay pedal, 1966 Fender Vibrolux Reverb blackface original. Gregor Hilden
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Please click here for this guitar story: it’s got one!
http://www.solodallas.com/gibson-19681958-les-paul-standard-the-husk-conversion-by-dick-knight-1973/
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SUBSCRIBE TODAY! EPISODE 9 Here Jimmy Page talks about his Gibson Double Neck guitar. Taped on location at Les Paul’s house in Mahwah, NJ shortly after Led Zeppelin reunited at Live Aid on July 18, 1985.
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I am selling this guitar in 100% original condition, frets have 90% left, no work at all needed, ready to play. Free courier shipping to most European countries. The Ampeg VL 1002 is also for sale. I have 870 positive feedbacks on ebay (100%). Anyone interested send a message through Youtube.
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A little video of me playing on my new lp junoir in the cherry color. Played on a peavey rage 258. Played by Jesse Slayton
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Guitar solo improvisation on Vintage V100 by Renato Medurecan on Total guitar pro band backing track called “Mad for it”. Amp is Vox VT30.
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Which is better? A lot of people think vintage is better quality and sound and I agree plus it’s cheaper.. But epiphone is more well known..
Epiphone Les Paul!
http://www.frettedamericana.com/product/1959-gibson-les-paul-tv-junior
A Very Pretty “Beastie”.
This super light guitar weighs just 6.70 lbs. and has a nice, fat nut width of 1 11/16 inches and a standard Gibson scale length of 24 3/4 inches. This is one of the early versions, with a solid mahogany “slab” body with slightly rounded edges, one-piece mahogany neck with that great ‘59 “baseball bat” style profile, and Brazilian rosewood fretboard with 22 frets and inlaid pearl dot position markers. Headstock with “Gibson” logo and “Les Paul TV Model” silk-screened in gold. Black plastic bell-shaped truss-rod cover. Closed-back single-line Kluson Deluxe strip tuners with white plastic oval buttons. Serial number “9 7836″ inked-on in black on the back of the headstock. One super hot black P-90 pickup with a huge output of 8.27k. Black plastic pickup cover stamped on the underside “UC-450-1 / 2″. Single-ply tortoiseshell pickguard with four screws. Two controls (one volume, one tone) on the lower treble bout. Black plastic bell-shaped “Bell” knobs. The potentiometers are stamped “134 841″ (Centralab October 1959) and the capacitor is the requisite ‘Bumble-Bee’ type. Combination “wrap-over” bar bridge/stud tailpiece. The back of the black plastic control cover is engraved “Jeannie” and the the inside of the control cover is engraved “Jeannie / Elfgen 1959″. There are a few tiny surface marks and indentations on the body of the guitar and a few very small and insignificant surface marks edges of the headstock. Otherwise this is quite simply the finest example of a ‘59 TV Junior (with a neck to die for) that we have ever seen and therefore our rating of near mint (9.25) condition is fairly conservative. The sound of this little beastie is also quite simply “the bestest”! Housed in the original Gibson brown ‘Aligator’ softshell case with brown felt lining (9.25).
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Demo of my new V100 Icon Les Paul copy in distressed ‘Honeyburst’ finish. Much like my other vids, this is over a Blues in A backing track and played in a mid/heavy rock style. After a full setup it plays surprisingly well and those Trev Wilkinson humbuckers are very nice - finish not the best and pots/wiring pretty hopeless but for a little over 200 quid I’m not complaining (wiring will be upgraded very soon!). This V100 is wired through a Fulltone Fulldrive 2 Mosfet (comp cut for signal boost only) and then the crunch channel of my DSL401. There is a BOSS ME33 in the fx loop mixed pretty low with delay and reverb.
Duration : 0:5:5